hairdressers project in iceland
a meeting
with svanbjorg hrobjartsdottir
a project for sequeces real time, 2009
rejkjavik, iceland
a meeting
with svanbjorg hrobjartsdottir
a project for sequeces real time, 2009
rejkjavik, iceland
rita canarezza
curriculum pdf
hairdressers projects
’the hairdressers’ shops project began during a research year at the center for contemporary art - kitakyushu in japan in 1998 and 1999.
In japan the lenght of hair symbolizes the life of a woman: since ancient times mourning and religious women cut and sacrificed their hair.
the firs women with short hair were scornfully called “moga” or “modern woman”.
the project involves hairdressers’ and barbers’ shops, seen as special places of material and popular culture, and analyses these as creative contexts and places of socialisation between different cultures, generations, as well as in a context of urban environments of the city development. the project took shape in japan, iceland, norway, netherlands, italy, liechtenstein. every time the hairdressers project tries to concretely rebuilt a specific social situations: a hairdressing salon were a variety of clients meet, were different cultures and customs mix.’
the concept
’hairdressers - besides performing one of the most ancient and yet very important manual occupations - play a significant role also in the different fields of interpersonal relations. In fact, barbers and hairdressers, represent the last ’popular handcraft’ who have an active role and trades in today’s economy, and they reflect the actual social contest through an original establish close relationship between craftsman and customer.
as a matter of fact barbers and hairdressers become in virtually all societies the friends, advice-givers and even kind a “psychotherapists” of their most affectionate customers.
moreover, customers establish close relationships even among and between themselves while waiting for their turn. many people stop and wait, meet and get to know each other at the barber’s or hairdressers.’
rita canarezza
lives and works in san marino
ritacanarezza@omniway.sm
curriculum pdfhairdressers projects
’the hairdressers’ shops project began during a research year at the center for contemporary art - kitakyushu in japan in 1998 and 1999.
In japan the lenght of hair symbolizes the life of a woman: since ancient times mourning and religious women cut and sacrificed their hair.
the firs women with short hair were scornfully called “moga” or “modern woman”.
the project involves hairdressers’ and barbers’ shops, seen as special places of material and popular culture, and analyses these as creative contexts and places of socialisation between different cultures, generations, as well as in a context of urban environments of the city development. the project took shape in japan, iceland, norway, netherlands, italy, liechtenstein. every time the hairdressers project tries to concretely rebuilt a specific social situations: a hairdressing salon were a variety of clients meet, were different cultures and customs mix.’
the concept
’hairdressers - besides performing one of the most ancient and yet very important manual occupations - play a significant role also in the different fields of interpersonal relations. In fact, barbers and hairdressers, represent the last ’popular handcraft’ who have an active role and trades in today’s economy, and they reflect the actual social contest through an original establish close relationship between craftsman and customer.
as a matter of fact barbers and hairdressers become in virtually all societies the friends, advice-givers and even kind a “psychotherapists” of their most affectionate customers.
moreover, customers establish close relationships even among and between themselves while waiting for their turn. many people stop and wait, meet and get to know each other at the barber’s or hairdressers.’
rita canarezza
lives and works in san marino
ritacanarezza@omniway.sm