san marino. 30th september 1950
rita canarezza &
pier paolo coro
edited by alessandro castiglioni
humboldt books, 2017
160 pages, color
13×19,5 cm
graphic design: massimiliano pace
print run 600 copies
paperback
€ 18.00
italian/english
humboldt books
ISBN 978-88-99385-34-7
2017
It’s 1950. The border between Italy and San Marino is blocked by a heavy police presence: the microstate has just opened a casino despite opposition from Italy. On 30th September that same year, Eugenio Montale won the first and the only edition of the San Marino Literary Prize with a set of forty-seven poems that would go on to make up the volume The Storm and Other Things, eventually published in 1956. In order to be awarded the substantial prize of one million lire, Montale had to walk across the border, like an illegal migrant. Rita Canarezza and Pier Paolo Coro recount this story through a previously unreleased project, drawing on both words and imagery, in which we are presented with the poems as part of a video and photographic research project. Here, the fragments featuring short passages from Montale’s poems relate the whole work to an unknown dimension, one detached from the Montalean episode. It is a crossing of borders, languages and practices, like the many crossings that artists themselves have often had to make on their journeys of discovery. The event recounted also has broader symbolic potential, and it can be inhabited, re-enacted and rewritten in a form of circularity
so dear to Montale:
Thus it slackens, before it can lock
onto the images, onto the words,
onto the dark
remembering senses of the past,
the emptiness
we once occupied which waits us
again, when it is time
to take us back, to take us in.
(Translation by Charles Wright, in Eugenio Montale, Selected Poems, 1965)
Rita Canarezza & Pier Paolo Coro live and work in San Marino. Their activity is characterized by a specific hybridization between research in anthropology, documentary languages, and performative practice. The largest and most complex project by Canarezza & Coro over the years, starting in 2004, is Little Constellation: a network devoted to the knowledge and dissemination of artistic practice in the Small States and Micro Geopolitical Areas of Europe that comprises participation by more than forty partners in nineteen different countries. Their work has been hosted by: C.C.A. Center for Contemporary Art Kitakyushu, Kitakyush, Japan 1999; Manifesta 3, Ljubljana, 2000; Swiss Cultural Institute SIS, New York, 2002; Careof/DOCVA, Milan, 2010; Musée d’Art Moderne Grand-Duc Jean, Mudam, Luxembourg, 2011; dOCUMENTA(13), Kassel, 2012; National Gallery of Iceland, Reykjavik, 2013, Listen to the Sirens / Space for Contemporary Art, Gibraltar, 2014; Banner Repeater, London, 2015; Archimuseo A. Accattino, Ivrea, Italy 2017.
available on
http://www.humboldtbooks
rita canarezza &
pier paolo coro
edited by alessandro castiglioni
humboldt books, 2017
160 pages, color
13×19,5 cm
graphic design: massimiliano pace
print run 600 copies
paperback
€ 18.00
italian/english
humboldt books
ISBN 978-88-99385-34-7
2017
It’s 1950. The border between Italy and San Marino is blocked by a heavy police presence: the microstate has just opened a casino despite opposition from Italy. On 30th September that same year, Eugenio Montale won the first and the only edition of the San Marino Literary Prize with a set of forty-seven poems that would go on to make up the volume The Storm and Other Things, eventually published in 1956. In order to be awarded the substantial prize of one million lire, Montale had to walk across the border, like an illegal migrant. Rita Canarezza and Pier Paolo Coro recount this story through a previously unreleased project, drawing on both words and imagery, in which we are presented with the poems as part of a video and photographic research project. Here, the fragments featuring short passages from Montale’s poems relate the whole work to an unknown dimension, one detached from the Montalean episode. It is a crossing of borders, languages and practices, like the many crossings that artists themselves have often had to make on their journeys of discovery. The event recounted also has broader symbolic potential, and it can be inhabited, re-enacted and rewritten in a form of circularity
so dear to Montale:
Thus it slackens, before it can lock
onto the images, onto the words,
onto the dark
remembering senses of the past,
the emptiness
we once occupied which waits us
again, when it is time
to take us back, to take us in.
(Translation by Charles Wright, in Eugenio Montale, Selected Poems, 1965)
Rita Canarezza & Pier Paolo Coro live and work in San Marino. Their activity is characterized by a specific hybridization between research in anthropology, documentary languages, and performative practice. The largest and most complex project by Canarezza & Coro over the years, starting in 2004, is Little Constellation: a network devoted to the knowledge and dissemination of artistic practice in the Small States and Micro Geopolitical Areas of Europe that comprises participation by more than forty partners in nineteen different countries. Their work has been hosted by: C.C.A. Center for Contemporary Art Kitakyushu, Kitakyush, Japan 1999; Manifesta 3, Ljubljana, 2000; Swiss Cultural Institute SIS, New York, 2002; Careof/DOCVA, Milan, 2010; Musée d’Art Moderne Grand-Duc Jean, Mudam, Luxembourg, 2011; dOCUMENTA(13), Kassel, 2012; National Gallery of Iceland, Reykjavik, 2013, Listen to the Sirens / Space for Contemporary Art, Gibraltar, 2014; Banner Repeater, London, 2015; Archimuseo A. Accattino, Ivrea, Italy 2017.
available on
http://www.humboldtbooks